I. Monographs, brochures, parts of scientific publications

1. Mdivani Ò. G. Methodological recommendations on harmony. – Minsk: RMK, 1981. – 77 p.
2. Mdivani Ò. G., Dvilianskaya B. À. Practical recommendations on learning harmony. – Minsk: RMK, 1986. – 113 p.
3. Mdivani Ò. G. (co-authorship) Composers of Belarus. – Mn.: Belarus, 1997. – 13 p.
4. Mdivani Ò. G.(author and scientific editor), Churko Y. Ì., Glushakov ². V., Golikova L. F., Dubkova Ò. À., Kuleshova G. R., Yuschenko N. À. Musical theatre of Belarus: 1917 – 1959. – Ìn.: Nauka and Tekhnika, 1993. – P. 3 – 16; P. 408 – 411.
5. Mdivani Ò. G., Kuleshova G. R., Yuschenko N. À. Musical theatre of Belarus: 1960 – 1990. – Ìn.: Belaruskaya Navuka, 1996. – 71 p. (P. 150 – 153, 176 – 196, 196 – 220, 228 – 247, 266 – 276).
6. Mdivani Ò. G., Kuleshova G. R., Yuschenko N. À. Musical dictionary. – Ìn.: Belaruskaya Navuka, 1999. – 559 p.
7. Mdivani Ò. G. Western rationalism in musical thinking of 20th century. – Minsk: Belaruskaya Navuka, 2003. – 327 p.

II. Articles

8. On the problem of method of harmony as a scientific discipline // Issues of musicology. –Minsk: Vysheishaya Shkola, 1981, Ñ.83-92.
9. Problems in organizing orchestra substance: General regularities // Issues of culture and art in Belarus.– Minsk: Vysheishaya Shkola, 1985. – Issue 4. – P 30–37.
10. On forms and methods of synthesis in 20th century music // Musical research. – Deposited at â NIO “Informkultura” Stat Library named after Lenin. 15.11.1985. No 915. – 40 p. Abstract contained in abstract and bibliographical index “Muzyka” 1985. – No 6.
11. Principles of organizing orchestra substance: dramaturgy of contrasts // Issues of culture and art in Belarus.– Minsk: Vysheishaya Shkola, 1987. – Issue 6. – P. 8–14.
12. Music of soul: New features of stylistics and form-shaping in music for orchestra of Belarusian folk instruments on the example of piece “Zvany” by À. Drukt // Mastatstva Belarusi. – 1988. – No 2. – P. 8–10.
13. On characteristic features of music for orchestra of Belarusian folk instruments // Issues of culture and art in Belarus.– Minsk: Vysheishaya Shkola, 1990. – Issue 9. – P. 44–51.
14. On manifestation of harmonic phonism in Belarusian music // Belarusian Soviet music at modern stage. – Minsk: BSC, 1990. – P. 200–227.
15. Her music // Mastatstva Belarusi. – 1991. – No 9. – P.70–71.
16. Observing the creative style of V. Kondrusevich // Issues of culture and art in Belarus. – Minsk: Vysheishaya Shkola. – 1991. – Issue 10. – P.40–44.
17. Belarusian musical avant-gardism: forecast for tomorrow // Mastatstva. – 1991. – No 6. – P.51–54.
18. Denisov E. “Five stories of Mr. Keiner on Berthold Brecht“: issues of composition // Theoretical problems of modern music. – Minsk: BSC, 1992. – P. 86 – 112.
19. .Ê. Penderetski. “Morning Prayer”: issues of composition // Laudamus. – Ì.: Kompozitor, 1992. – P. 167–173.
20. Features of musical style of Viacheslav Kuznetsov // Vesti AN Belarusi. – 1994. – No 2. – P. 83–89.
21. The multilevel Yaugen Paplauski // Mastatstva. – 1996. – No 10. – P.26–28.
22. Introduction into the poetics of musical surrealism // Problems of national musical cultures on the brink of the third millennium. – Minsk: BelIPK, 1999. – P. 43–50.
23. “Genesis” of numbers from L. Nono, Ê. Stockhausen, G. Kage // Theoretical musicology at the turn of centuries. – Minsk: BGAM, 2002. – P. 178–189.
24. Western rationalism in music and the 20th century // Sator Tenet Opera Rotas. – Ì.: MSC, 2003. – P. 219–228.
25. Sources of rationalistic style in musical thinking // Vesti NAN Belarusi. – 2003. – ¹ 3.– P. 22–29.
26. End of “harmonic epoch” in avant-gardist music of the first half of the 20th century // Vesti NAN Belarusi. – 2003. – No 4. – P. 76–82.
27. On the notion and history of rationalism in European music // Panorama of arts within modern research: Collection of scientific articles – Minsk: Bel. state institute of culture, 2004. – P. 27–29.
28.A number in music as a symbol of integrity // Vesti BGAM. – 2004. – No 5. – P.72-77
29.Aleatory music and collage in avant-gardism music of the 20th century // Mastatstva. – 2004. – No 2. – P.46–47.
30.New aspects of avant-gardist musical thinking in the second half of the 20th century // Vesti NAN Belarusi – Ìn.: Bel. Navuka, 2004. – No 2. – P.78–86.
31.Creative rationalism in avant-gardist music: new types of musical sound // Vesti NAN Belarusi. – Ìn.: Bel. Navuka, 2004. No 3. – P. 74–82.
32.Classical, non-classical and traditional in New and Newest music of the 20th century // Music and globalization of culture. Transactions of BGAM. Issue 10.– Ìn.: BGAM, 2005, P.112–120.
33.New creative outlook of avan-gardist composers of the second half of the 20th century // Vesti AN Belarusi. – Ìn.: Bel. Navuka, 2006. No 1. P.73-82
34.On stylistics of canticles in Orthodox church and their incorporation in modern composing practice / Mdivani Ò. G. // Issues of art criticism, ethnology and study of folklore: In 2 vol. Part. 2: Problems of theatrical, musical and TV and cinematographic features in the context of Slavonic cultures in the modern world / Institute of art criticism, ethnology and study of folklore named after Ê. Krapiva, Belarusian NAN; scientific editor À. ². Lokotko. – ̳nsk: Bel. Navuka, 2007.– P. 279-288.
35.Belarusian music in its national self-determination: text, inter-text, context // Issues of art criticism, ethnology and study of folklore. Issue 2. – Ìn.: Law and economy, 2007 – P. 228–233;
36.Belarusian music at the turn of 20th-21st centuries: realities of creative search. Issue 3. – Issues of art criticism, ethnology and study of folklore. Issue 3. – Ìn.: Las and economy, 2007 – P. 344–350;
37. On forms of manifestation of national features in Belarusian music of the last third of the 20th century // Vesti BGAM – Ìn.: BGAM, 2007. – P.13-20;
38. Department of musical art and ethnic musicology (co-authorship) //Institute of art criticism, ethnology and study of folklore named after Kandrat Krapiva: 50 years from foundation. – Ìn.: Law and economy, 2007. P.67-76;
39. A word on the author // Ladyghina À. B. Musical and theatrical life of Minsk at the end of the 20th beginning of the 21st century. Minsk: Four quarters, 2007. – P. 11–12

III. Main articles in encyclopaedias and dictionaries

Aleatorics, Approximativity, Atoniñàlity Atonality, Dodecaphony, Fluctuating tonality (the term of À. Shenberg), Multi-valued tonality, Floating tonality, Withdrawn tonality (the term of À. Shenberg), Poly-tonality, Post-modernism, Symphony music, Symphony, Withdrawn tonality, States of tonality or atonical states, Theatrical symphonism, Keynote, Electronic music, etc.

IV. Materials and theses of conferences

1. Late romantic harmony at university course of theoretical music disciplines // Abstracts of scientific theoretical conference on the issues of education and training of music teachers. – Tbilisi: State conservatoire named after V. Saradhishvili, 1980.
2. Image of Francisc Skorina in modern Belarusian music // Abstracts of presentations and communications. International conference. 24—27 May 1990. “Slavs: Unity and Variety”: “Festival of Slav literature and culture”. – Ìn.: BAS, 1990. – P. 45– 48.
3. On new stylistic trend in modern Belarusian professional music (on the issue of the role of Christian ethos in creative work of national composers) // Abstracts of presentations of scientific conference “Culture in the Republic of Belarus: history, modern state and prospects for development”. Ìn., 1993. – Ìn.: IMEF, 1993. – P. 29–31.
4. Creative work of Belarusian composers in the context of Western and Eastern European musical and artistic phenomena // Proceedings of international scientific conference 10—11 October 1995 “Slav cultures after the Second World War”. – Ìn.: UNESCO, 1996. –P. 254–259.
5. Mdivani Ò. G. Problems of style and creative method of composers // Proceedings of international scientific conference “Slav cultures: historical experience and modern problems”. – Ìn.: UNESCO, 1996. – P. 24–28.
6. Crisis of rational construction in avan-gardist music of the 20th century // Proceedings of international conference. April 25, 2002. “Prospects of rationality in the 21st century”. – Ìn.: Ecoperspectiva, 2002. – P. 124–128.
7. Happening and “instrumental” theatre: principle of correlation of rational and “irrational” I the music of the 20th century // Proceedings of international scientific conference “Topical problems of the world artistic culture”. 25—26 April 2002, - Grodno, 2002. – P. 262–266.
8. Evolution of composing during the last third of the 20th century // Modern world and national musical cultures. Proceedings of international scientific conference ”National traditions and modern life” Minsk, 5-7 October 2004 – Ìn.: Kovcheg, 2004, P.177-184.
9. Avant-gardist musical thinking: results of the 20th century // 1st Nefedov’s readings “Belarusian art: history and modern life” 18—19 February 2003, ̳nsk. – Ìn.: BDAM, 2004. – P. 313–316.
10. Rational constructs in the music of the 20th century // Musical art and education at the turn of centuries. Issue 1 – Ìn.: BGAM, 2004, P.63-70
11. The uncertainty principle in avant-gardist music of the second half of the 20th century // Proceedings of international scientific conference “Topical problems of the world art” 25—26 March 2004. Grodno. – Grodno, 2004. – P.172-179
12. Specific features of musical existence of the second half of the 20th century // Philosophy and the future of civilization – Moscow: Modern notebooks, 2005, P. 13.
13. Synergy and Newest music (on the issue of research methods of avant-gardist composers’ music of the second half of the 20th century) Proceedings of international scientific conference “Topical problems of the world art” 25—26 March 2004. Grodno. – Grodno, 2006. – P .3– 9.
14. “Music in the context of European art” as a teaching discipline // The world of art and children: problems of teaching arts. Proceeding of the 3rd international scientific and practical conference, Vitebsk, 25-26 September 2007 / Vitebsk state university – Vitebsk: Publishing house UO “VGU named after P. Ì. Masherov”, 2007. P.12-14;
15. On novelties in the system of modern musical education // Aesthetic education: problems and prospects. Proceeding of international scientific and practical conference ( Brest, 15 – 16 November 2007) / Brest state university named after À. S. Pushkin – Mn.: Parcus Plus, 2007. P. 25-26;
16. Integrity and Newest music: on the issue of Western European correlations of “musical civilizations” in the second half of the 20th century (synergy approach) // Philosophy as self-understanding of culture and an intermediary in the dialogue of cultures / Proceedings of international scientific conference (Minsk, 9-10 November 2006) – Ìn.: Bel. Nauka, 2007. P.175-178.